Today's five second mini-rant:

Jul. 16th, 2025 02:35 pm
conuly: (Default)
[personal profile] conuly
Nonstandard and informal are not synonyms. Dialectal and informal are not synonyms. Regional and informal are not synonyms. You can speak formally even if you're speaking a nonstandard regional dialect.

Everybody needs to stop saying that dialect words are, ipso facto, informal.

Edit: On a different note, omfg this dude.

*************************


Read more... )

Bundle of Holding: Hearts of Wulin

Jul. 14th, 2025 02:08 pm
james_davis_nicoll: (Default)
[personal profile] james_davis_nicoll


This new Hearts of Wulin Bundle presents Hearts of Wulin, the tabletop roleplaying game of Chinese wuxia action melodrama from Age of Ravens Games.

Bundle of Holding: Hearts of Wulin

BtVS Ficlet: Lonely For You

Jul. 14th, 2025 06:07 pm
badly_knitted: (Rose)
[personal profile] badly_knitted
 


Title: Lonely For You
Fandom: BtVS
Author: 
[personal profile] badly_knitted
Characters: Willow, Xander, Oz.
Rating: PG
Spoilers: Lover’s Walk and the first half of season three.
Summary: Willow had thought that pining over Xander was as painful as it got. She was wrong.
Word Count: 538
Written For: scytale’s prompt ‘any, any, intense pining,’ at [community profile] threesentenceficathon.
Disclaimer: I don’t own BtVS, or the characters.
 
 


Lonely For You... )

Ficlet: Decorative

Jul. 14th, 2025 05:56 pm
badly_knitted: (Torchwood)
[personal profile] badly_knitted
 



Title: Decorative
Author: 
[personal profile] badly_knitted
Characters: Owen, Jack, Ianto, Tosh, Gwen.
Rating: PG-13
Word Count: 810
Spoilers: Nada.
Summary: It’s difficult to retain any dignity when you work for Torchwood.
Written For: The prompt ‘any, any, underwear/pajamas covered in little..?’, at 
[community profile] threesentenceficathon.
Disclaimer: I don’t own Torchwood, or the characters.
 



...of Podcasts and Such

Jul. 14th, 2025 09:05 am
lydamorehouse: (ichigo hot)
[personal profile] lydamorehouse
For [personal profile] sabotabby who is probably still on vacation and anyone else who might be interested, here's a link to our American Flagg episode of Mona Lisa Overpod: https://open.spotify.com/episode/4yFxNh4m8xcnHhLC3MB38Z  

Speaking of podcasts, I had a very odd interaction with a potential panelist on a panel I proposed for Diversicon. I've been, as you know, gentle reader, fairly obsessed with doing programming committee work for a completely DIFFERENT covention, and so I haven't much talked about the fact that I will be one of the Guests of Honor at Diversicon 32, along with Naomi Kritzer. Diversicon is a local to me (Minneapolis/St. Paul, MN) convention and is coming up soon!  September 5-7!  

So, what happened was this: I got an email from someone in programming connecting me with a potential panelist. The initial email was very straight-forward. This person has been writing radio plays for a podcast down in Florida called the Radio Theatre Project. Sounds like a decent fit, right? But, this person added this to their communication with me, "I'd be happy to talk to Lyda and come up with a presentation" (emphasis mine). I wrote back and said, "Sure! I'm happy to try to figure out a way to combine our similar expertise into a panel of some sort.  My podcast isn't fiction and I do none of the technical aspects of recording, editing, or producing it, but I'm sure there are some commonalities."

Immediately the other panelist seemed to want to back off, however. They talked about how "my audience" might not be interested in the things they were doing and that the two types of writing were fundamentally different. I acknowledged that, but tried to encourage this person, anyway, by saying that, yes, that's true, but podcasts are a thing in general and I'm happy to spend some time on the panel talking about the things they do and the things I do. This seemd to mollify this person, briefly.

BUT then they proposed getting together for a coffee to hammer out our "presentation" or to at least come up with talking points.

I have to admit, y'all? I was very confused by the continued use of the world presentation.

I had to write back and say, "It's a panel discussion, right? Something informal and off-the-cuff?"  I told them I am always happy to pre-consider questions that might highlight this or that, but, like, this is one of those situations, I thought, where "this meeting could be an email." I did, however, try to say this kindly and suggest that while I was not against getting together for a coffee, per se, a panel discussion (if that's what we were having) wasn't probably worthy of something so intense. 

I guess I pissed his person off somehow? I didn't mean to!

But, surprise, surprise, this person has now declined the offer to be on the panel with me.  Which would be FINE, except for the fact that they felt the need to leave with this parting shot: "I listened to your MLOP 27: American Flagg podcast about cyberpunk. It is very focused and detailed. It offered a wealth of information for fans of serious science fiction. I'm not a serious sci-fi fan. I don't have the background and experience to speak about this kind of podcast. I've also found the easiest way to kill the humor in almost anything is to analyze it.

Like, is that directed at me?  Or is this person saying that they don't want to analyze their own humor for fear of destroying the fun in it? (Their radio plays are humorous, apparently.) I decided to go with the latter, because it does no good to make enemies in a convention pool as small as Diversicon's. So, I told them how sorry I was that they have chosen to opt out and hoped that we could at least meet and chat at the con. 

But the entire exchange was so baffling, you all. I know this person at least a little. Their name is familiar to me. They are NOT a stranger to the local science fiction and fantasy scene. They know what SFF convention panels are. The fact that they kept calling it a presentation has actually made me a little terrified that I'm actually going to be the ONLY person on this panel. SHOULD I BE PREPARING A LECTURE/PRESENTATION?????  I am now a little fearful that maybe I should be!

I wouldn't be paranoid about this, but this has happened to me in the past. 

I once proposed a panel for (I think) MarsCON about manga and manhwa and, when I arrived at the convention and got my hands on the program booklet, I discovered that I was, in fact, the only person talking about this subject FOR AN HOUR. Luckily, in that case, it wasn't until the next day and someone (Anton, probably,) had asked me if I needed any technical support for my panel/presentation and I said, "Okay, yes? Gimme some way to run a powerpoint presentation," and I went home that night and MADE ONE UP. I think I had exactly 5 people in the audience, but they were happy to see the covers of some titles I recommended, etc. 

JFC.

If it is just me... what am I going to talk about for an hour by myself about podcasts? I mostly listen to fiction podcasts, but if people are there, as this proposed panelist suggested for my particular podcast, I don't know that there's enough to actually say about what it is that we do. I mean, Ka!lban does most of the hard work and I just show up and talk about whatever it is we've chosen as a topic. That's it. That's my entire experience. I don't know how this could possibly fill an hour!

I guess I'll find out!

Clarke Award Finalists 2005

Jul. 14th, 2025 10:27 am
james_davis_nicoll: (Default)
[personal profile] james_davis_nicoll
2005: The Ulster Volunteer Force struggles to grasp the meaning of the term “ceasefire”, Britain is astonished by the unlikely coincidence that every known WWI veteran is over 100 years of age, and in what some experts hope is a sign Britain has begun to emerge from chaos after the retreat of the Roman Empire, Dr Who is revived.

Poll #33355 Clarke Award Finalists 2005
Open to: Registered Users, detailed results viewable to: All, participants: 27


Which 2005 Clarke Award Finalists Have You Read?

View Answers

Iron Council by China Miéville
9 (33.3%)

Cloud Atlas by David Mitchell
9 (33.3%)

Market Forces by Richard Morgan
5 (18.5%)

River of Gods by Ian McDonald
8 (29.6%)

The System of the World by Neal Stephenson
13 (48.1%)

The Time Traveler's Wife by Audrey Niffenegger
7 (25.9%)



Bold for have read, italic for intend to read,, underline for never heard of it.

Which 2005 Clarke Award Finalists Have You Read?
Iron Council by China Miéville
Cloud Atlas by David Mitchell
Market Forces by Richard Morgan
River of Gods by Ian McDonald
The System of the World by Neal Stephenson

The Time Traveler's Wife by Audrey Niffenegger

Writerly Ways

Jul. 13th, 2025 08:29 pm
cornerofmadness: (Default)
[personal profile] cornerofmadness
I am sad. This is the second time in 6 weeks when I've run into a changing deadline from a publisher. I had finished a story I was pretty happy with. The pay for this open call was high. I KNOW the deadline because I checked it repeatedly. Got the beta edits back, checked to triple check the word count...and the date is changed. It's frustrating. It feels like a waste of everyone's time. Yes, I can probably find another open call this will fit eventually but this bullshit of closing early and changing deadlines sucks.

I'm trying to see it from their point of view. Maybe they have SO many submissions they can't handle it and close early. Still, I can't be checking every day to places I plan to submit to see if this is going on. Most of these publishers don't have blogs. Maybe they tell duotrope or another service something they're making a change but I don't know. You can't watch them all.

How do you all keep track of deadlines/places you're interested in?

Not the writerly ways i planned to give but this is what you're getting


Open Calls

Odysseus Odysseus from Greek Mythology


Horrorsmith’s Teen Forge Novel Line Young Adult speculative fiction of any genre

Baubles From Bones July 2025 Window Fiction that broadly falls in the realm of science fiction and fantasy

Dark Waters Volume 3 Whatever “dark waters” means to you – stories of trepidation, the unknown, the dangerous, the creepy, the suspenseful.

Space and Time July 2025 Window Stories with speculative elements

5 Paying Literary Magazines to Submit to in July 2025

39 Themed Submission Calls and Contests for July 2025




From Around the web

Why Intentional Storytelling Matters in an Era of AI and Algorithm-Driven Content

One Author, Many Faces: Managing Multiple Identities

What Isn’t Said Still Screams: Writing Subtext in Horror Fiction

Ambiguity and the Horror of the Unknown

The Art of Rewriting: Where Good Writing Goes to Die (and Get Resurrected)

How Niche Authors Can Use Long-Tail Keywords in Metadata

How to Recognize and Avoid Book Scams

How to Achieve Great Character Development in Your Story



From Betty

How to Deal With a Powerful Faction Helping Team Good

Six Tips for Doing More With Less

Why I Stopped Chasing Algorithms and Started Creating Experiences

Sovereignty: Owning Your Voice is the Ultimate Power Move

Write an Unforgettable First Line

The Star Does All The Good Stuff

How to Find Symbols in Your Settings

Three Hidden Reasons Writers Procrastinate

The Backwards Law for Writers

Moral Rights: What Writers Need to Know

How to weave more voice into a query letter

Professional Development for Writers

Writing a Meaningful Book Review
conuly: (Default)
[personal profile] conuly
but it turned out to be a big bag of dog food.

This is... not so great, really.

*******************


Read more... )
badly_knitted: (Atlantis Stone)
[personal profile] badly_knitted
 


Title: To Save Earth
Fandom: Stargate SG-1
Author: 
[personal profile] badly_knitted
Characters: Jack O’Neill, SG-1.
Rating: PG
Spoilers/Setting: Within The Serpent’s Grasp Part 1.
Summary: This is not where SG-1 expected to find themselves, but they still have a job to do.
Written For: Challenge 471: Amnesty 78 at 
[community profile] fan_flashworks, using Challenge 412: Bridge.
Disclaimer: I don’t own Stargate SG-1, or the characters.
A/N: Triple drabble.
 


 
badly_knitted: (Dee & Ryo black & white)
[personal profile] badly_knitted
 


Title: Take Your Partners
Fandom: FAKE
Author: 
[personal profile] badly_knitted
Characters: Ryo, Dee.
Rating: PG
Written For: Challenge 458: Waltz at 
[community profile] drabble_zone.
Setting: After the manga.                                               
Summary: Dee and Ryo start ballroom dancing classes.
Disclaimer: I don’t own FAKE, or the characters. They belong to the wonderful Sanami Matoh.
A/N: Double drabble.
 


 

Live Aid 4

Jul. 13th, 2025 11:35 am
solarpsychedelic: (Default)
[personal profile] solarpsychedelic

Ok, I can’t help myself. I saved a prayer for the ones whose music was the soundtrack of my teenage years:



 

 



As popular as they were, they were also underrated. They deserve their place in history for the way their sound managed to combine 70s hard rock and funk with the next level in sound design and production that produced the signature 80s sound.

Thanks for the memories, guys.




Live Aid 3

Jul. 13th, 2025 10:06 am
solarpsychedelic: (Default)
[personal profile] solarpsychedelic

But hey, I loved New Wave and the New Romantics. I had the Spandau Ballet cassette and liked the slick look and sound:



 

 

 



The experimental style of music went well with being young, with the hopes and dreams for the future, that there’s something more to ordinary life, and that it’s ok to aspire for that.

I know that’s what people now call “cringe.” But I don’t know; maybe it’s time to bring cringe back and time to start caring about things again.




Live Aid 2

Jul. 12th, 2025 08:48 pm
solarpsychedelic: (Default)
[personal profile] solarpsychedelic

As I play the concert back, I want to give respect to Status Quo for being the best act to start the event:



 



This viewing reminded me that George Thoroughgood rawked.





And speaking of seasoned performers, well of course these two were great:





I think Bowie had the tightest band:



 



And ok, admittedly, Led Zeppelin kinda sucked and there was some back and forth about the role of Phil Collins in that. But sometimes that too, is rock and roll and the performance is in its way compelling.

I marvel at how everyone was able to pull this off. 72k people at Wembley and 100k in Philly? Good gawd.

What a historic achievement. Shows us what people can do when they put their minds and skills toward something that brings people together.



Double Drabble: Date Disaster

Jul. 13th, 2025 06:04 pm
badly_knitted: (Default)
[personal profile] badly_knitted




Title: Date Disaster
Author: 
[personal profile] badly_knitted
Characters: Ianto, Jack, Owen, Team.
Rating: PG
Written For: Challenge 873: Salvage at 
[community profile] torchwood100.
Spoilers: Nada.
Summary: Jack and Ianto’s dates seldom go to plan.
Disclaimer: I don’t own Torchwood, or the characters.
A/N: Double drabble.




Recent reading

Jul. 13th, 2025 04:54 pm
regshoe: Black and white picture of a man reading a large book (Reading 2)
[personal profile] regshoe
Right, let's get this reading post done before the excitement of [community profile] raremaleslashex assignments takes over :D

Apollo's Angels: A History of Ballet by Jennifer Homans (2010). I read this as background/research for potential Étoile fic writing, and it has been very informative. It covers the history of ballet from its emergence in the court dances of seventeenth-century France, through its development in various places through time, trends and arguments, the influence of other dance styles, its success and declines, etc. etc. Lots of interesting and useful little titbits, both generally and fannishly (I especially like the influential eighteenth-century French ballerina Marie Sallé, who—in a period when female dancers were more or less expected also to be courtesans and mistresses—developed a reputation for universally rejecting male attentions, and on her retirement 'lived quietly with an Englishwoman, Rebecca Wick, to whom she left her modest worldly belongings'; on the fannish side of things, I think I see why Maya Plisetskaya is Cheyenne's fave); I also enjoyed the discussion of how ballet has developed and been reinterpreted in widely diverse cultural and political contexts (the court of Louis XIV; post-Revolutionary Paris; the Romantic nineteenth century; the twentieth-century US and USSR). Homans, a former ballet dancer turned historian, is ideally placed to write a book like this; she writes very much from a perspective informed by direct practical experience of dance, and doesn't hesitate to express her artistic and professional opinions, especially in the final chapters on the flourishing of ballet in twentieth-century America. At the end she argues that ballet, having fallen from those heights, has entered a decline which is probably terminal, perhaps due to its incompatibility with modern culture. I don't know what to make of that; at least I'm sure the characters and presumably the creators of Étoile would not agree! I have seen very little actual ballet in my life—I must go and remedy that soon—and I'm sure someone more familiar with it would have got more out of this book than I did, but still a very worthwhile read.

Re-read Piranesi by Susanna Clarke (2020), gradually over the last eight weeks with the JSMN fandom read-along Discord that [personal profile] pretty_plant kindly invited me to. I love this book as much as ever and, as ever, what I love most about it is how kind and gentle it is in the face of incomprehensibly horrible things happening, and the understanding that both the narrator and Sarah Raphael ultimately reach of their experiences and the world they live in. I was less caught by the academic backstory this time; perhaps I wasn't in the right mood. I do think this book benefits from being read quickly all in one go and getting properly mentally absorbed in it; reading only one part a week with other obsessions going on at the same time made less of it.

Dr Wortle's School by Anthony Trollope (1881). Having finished the Barsetshire series last year, I wanted to keep up my tradition of reading a Trollope each summer but was dithering over where to go next; I didn't want to launch into the Palliser books, his other famous series, because from the sound of it they have less of the elements I enjoyed most about Barsetshire (church politics and rural society) and more of the elements I was less interested in (London and the nobility). In the end I picked a title from his bibliography on Wikipedia on the basis of, that sounds interesting, I'd like to see what he does with a school setting. Well, it is about a school setting in a sense, though it's not what you'd call a school story; Dr Wortle is a very Barsetshire-ish country clergyman who also runs a small preparatory school, so I managed to pick well for myself there. But if this book is half Barsetshire, the other half turns out to be a Wilkie Collins novel: the main plot turns on a reveal entertainingly similar to the inciting reveal in No Name (but made in hilariously non-sensation novel fashion: early on in the book Trollope spends several paragraphs telling the reader 'now, authors usually draw this sort of thing out for the drama and suspense, but I'm not going to do that, I'm just going to tell you the big twist now; perhaps some readers will find this boring and fun-ruining, in which case I suggest they put the book down'). It is an interesting example of how different authors with different priorities tackle a similar scenario: besides Trollope not being a sensation novelist, this story kind of returns to the themes of The Warden in being very much about the social consequences of scandal and the practical importance they have, whereas No Name is all about the legal consequences and the social effects that follow as a result. I liked it! I especially liked the character of Dr Wortle, who is principled and determined on following his conscience in the face of social pressure and serious threatened consequences, but who is also dictatorial, prone to poor judgement and not always actuated by purely charitable motives; I think Trollope is too sympathetic to his failings, but I nevertheless liked how he portrays his protagonist's complexity. The book is let down by a particularly annoying Victorian love subplot which increasingly eclipses the main story towards the end, but aside from that it was worth reading.

Recent Reading

Jul. 13th, 2025 08:26 am
sanguinity: woodcut by M.C. Escher, "Snakes" (Default)
[personal profile] sanguinity
I am very brain-dead from going to a work conference in Atlanta this week. Getting up at what amounts to 4am personal time, to then spend sixteen hours go go go with way too many people, none of whom are comfortably anonymous strangers but also none of whom are friends, is exhausting. I got home late Thursday and took Friday off, even napping on Friday afternoon, which is something that I'm generally incapable of. But that's exhaustion for you, I suppose.

(The last time I napped, come to think of it, was after my last work conference, in which not only was I sleep deprived all week, but I came down with a case of literal hives on the airplane home. Ugh.)

Anyway. None of you are here to hear about all that. ;-)


Lois McMaster Bujold, A Civil Campaign (1999)

Read aloud with [personal profile] grrlpup. First time for her; re-read for me.

This was one of my favorites from my first read of the series; I'm happy to say I liked it even better on re-read. I'm not sure how well it can be read as a stand-alone, as it assumes a working knowledge of Komarr. But I do like the strong ensemble of characters, and that the conflicts are mostly social and personal, instead of military or mystery. (Which does not stop it from rising to an action-packed climax at the end: I believe Grrlpup and I read the final three chapters in one day!)

Grrlpup's favorite characters were Dr. Enrique Borgos and his beloved butter bugs, and it is true: it is always a delight when they come on the page. Armsman Pym was also a favorite; she'd very much like to see his pov. (Alas, we do not, as I recall, ever get it in the series. I wonder if anyone has written Jeevsian fic for him?) And once again Lady Alys is serving strong Judith Martin vibes -- I do wonder if Martin was an inspiration for the character.


Lois McMaster Bujold, "Winterfair Gifts" (2004)

Read aloud with [personal profile] grrlpup. First time for her; re-read for me.

Taura, my beloved! *hearts-eyes* And I am fond of Armsman Roic, too (although I don't think this satisfied Grrlpup's desire for a Pym-centered story). Quick and sweet read, like a delicious chocolate truffle.


Daniel M. Lavery, Dear Prudence: Liberating Lessons from SLATE.com's Beloved Advice Column (2023)

I don't read many advice columns, but I find them most satisfying when there is an implied code of social logic that underlies them. (Make! The social! World! Make! Sense!) Lavery clearly has such a code, and the code tallies nicely with mine, which made this a pleasant read. I do enjoy the bits where he reconsiders the advice he originally gave; it's nice to know that even confident advice-givers grow and change over time. There's a chapter or two of letters on transitioning and/or coming out, presumably as Lavery himself was transitioning at the time and drawing more of that kind of question than I usually expect to see in a general-topics advice column.


Saeed Jones, How We Fight For Our Lives: A Memoir (2019)

Brief, lyrical, eminently readable memoir of growing up gay and black in the 1990s in Texas, attending university in the 2000s in Kentucky, and the death of his mother in the 2010s. There are some painful topics (gaybashing, homophobia, Christian evangelism, racism, a sexually self-destructive phase, and his mother's aforementioned death), and consequently the material gets heavy at times, but I raced through this in a day, always willing to turn the page and see what other thoughts and experiences he had had.


I also have a gob of Hum 110 bookgroup reading to write up, but I'll save that for their own posts.

Profile

the_siobhan: It means, "to rot" (Default)
the_siobhan

July 2025

S M T W T F S
  12345
6 789101112
13141516171819
20212223242526
2728293031  

Style Credit

Expand Cut Tags

No cut tags